Serial Madness

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And so it came to pass that two of the greatest modern pieces of popular art came to an end in the first few months of 2009. Accuse me of hyperbole, but that’s the bottom line with Battlestar Galactica and 100 Bullets. I stand before you accused of being a nerd, evidenced by my consumption of comic books and sci-fi. I humbly plead guilty.
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And the beat goes on…

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My previous post ended with the question “So what does the digital medium give us?” Based on the continuum Okrent proposes, I believe it gives you a pulse on reality.

I think this becomes clearer when we try to answer the other question cited, “What’s the definition of the news they want?”

Basically, news is recent historical information that contains two components: facts and analysis. The facts are descriptions of events: gang violence leaves 4 dead, Les Habs win the Cup, President speaks at global forum etc. Facts are the basic ingredients; analysis is what gives each recipe its unique flavour. Analysis addresses the age-old question: “Why?” Connections between the facts uncovers a deeper meaning. Motivations of the actors involved laid bare provides perspective.

The traditional model to deliver news relied on a broadcast system where the flow of information went from the select few to the mass public. The newspapers & magazines, TV & radio stations controlled the information we consumed. They provide just one perspective – their analysis of the facts.

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We want information… information… information.

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So here’s the scene: I’m sitting in a cafe in Kuala Lumpur’s airport last summer, waiting for my flight to Bangkok, and I’m reading William Powers’ essay Hamlet’s Blackberry: Why Paper is Eternal which dives into the numerous reasons why paper continues to have a firm grip on how we experience information. Of course, I’m flipping through this 75-page PDF on my laptop. Go figure.

Fast forward to a couple of days ago, I’m scanning the CBC mobile site on my iPod Touch when this headline pops out: “Print industry to worsen before any improvements: experts.” The train of thought that Powers had started in his piece continues here: while the tangible nature of paper is what allows us to focus solely on the information presented to us, it is fast becoming a less viable medium for newspapers, whose struggles are only more exacerbated with the overall economic downturn we’re experiencing. The death knells are tolling louder.

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